All rights reserved by Daniel Mikhailovich
Author: Daniel Greenwood
Green-veined White (Pieris napi)
All rights reserved by Daniel Mikhailovich
Happy Valley
All rights reserved by Daniel Mikhailovich
Honey Bee (Apis Mellifera)
All rights reserved by Daniel Mikhailovich
Set: Picos de Europa with EuCAN
I was fortunate enough to spend some time in Los Picos de Europa working with FCQ on behalf of EuCAN, a Dorset-based conservation action group. FCQ are a conservation group working to protect the Bearded vulture, otherwise known as Quebrantahuesos in Spanish, “Bone-breaker” for its diet of bones (and not specifically bone marrow, as is commonly stated in avian literature). The bird is referred to as the Lammergeier (a German phrase) or in Latin as Gypaetus barbartus. “Bearded vulture” is a misleading term because the bird is not all vulture, and its beard is more a moustache.
The Fundacion is an all-action group based in Benia, Asturius in Northern Spain. The organisation aims to promote and aid the work of shepherds in the Picos. By doing so, an ancient aspect of Asturian culture can be maintained, and food for the Quebrantahuesos can be provided, also. The bird will eat the remains of sheep and goats that have died in the region, often waiting alongside Griffon vultures (Gypus fulvus) to finish their banquet of flesh until just the bones are left – the meal of the Quebrantahuesos.
The work of FCQ taught me that conservation is not purely ecological or environmental, but intensely cultural. What is different about conservation in the Picos compared to conservation in London, for example, is that it is a system whereby humans are still a part of the cycle. Conservation need not be purely aesthetic, as in the preservation of nature’s beauty, which is a common conception. In the case of the farmers of the Picos, it’s about preserving a way of life. If, perhaps, conservation in urbanised England represents a longing to return to a lifestyle much closer and in keeping with nature, then the work in the Picos is an attempt for people to maintain a lifestyle close to and dependent on the natural world.
Please click any image to view more photos on my Flickr page, and please visit the websites linked at the top and bottom of the page.
Diego and Jose at FCQ headquarters
Rafa shearing his sheep. This is an annual event for a shepherd, and EuCAN mucked-in to help with the workload, some 300 or more animals
The Picos glimpsed on either side of a vehicle
EuCAN and FCQ building Quebrantahuesos release pens. This is where the young will be reared and liberated from, into the mountains overhead
Two farmers in Belbin, a summer village in the Picos. The farmers spend the summer here making goats cheese
A Nightjar (Caprimulgus europaeus), one of the many avian delights of the region
Woodland brown butterfly (Lopinga achine)
Nigel Burch moved to Spain thirty-years-ago. Trained in horticulture he runs a hotel and organic farm with his family in the Picos. Nigel has an apple orchard, livestock, vegetable gardens and resplendent wildflower meadows. He said his aim was to promote biodiversity and his land was living-proof of the benefits diversifying plant and animal-life can bring.
Cattle roam the Picos. The sound of cowbells jingling is commonly heard
Steve Bennett talks to an audience at the FCQ centre in Benia. Steve outlined the aims of EuCAN, the difficulties in securing funding for a not-for-profit organisation in a time of great financial strain for many European organisations and people alike
Diego & Chris take a breather during a 5-hour-long process of beam dragging. Low-carbon transportation is the law in the inhospitable terrain that much of the Picos poses. EuCAN joined forces with FCQ to build a bridge linking two valleys, the aim of which is to allow shepherds and their livestock access to another part of the Picos for further grazing. More livestock also means more food for the Quebrantahuesos
FCQ (Fundacion para la Conservacion del Quebrantahuesos)
EuCAN (European Conservation Action Network)
© All Rights Reserved, Daniel James Greenwood, 2011
Set: Kraków in Black & White










© Daniel James Greenwood 2010, 2011
Set: Liverpool in Black & White
Set: Night Lights
These pictures were taken in the winter of 2008. Darkness falls at about 4pm at its peak in London, and much of our wintry lives are spent indoors, at bus stops, in cars or under street lamps. In general, winter is a time for artificial light. I am intrigued by the old street lamps of London, many now disused because of environmental policy, but I’m also interested in their purpose. They light our safe passage at night, and in some cases are a little like light houses. I enjoy the way they light trees, accidentally, and how branches can sometimes look like limbs reaching out from an abyss. View this set on Flickr.












© Daniel James Greenwood, 2011
Kingcombe Birds
I spent a weekend with the European Conservation Action Network (EuCAN) at the Dorset Wildlife Trust’s Kingcombe centre. The birds seen here were caught in mist nets and ringed by Neil, who measured their wingspan, checked for disease, and sent them away back into the wild.

Neil exhibits a female bullfinch

Pair of goldfinches

Great tit

Chaffinch

Goldfinches having their wing feathers checked

Blue tit having its ankle ringed

Rachel surveys a dunnock

Goldfinch being ringed




























