The emptied mast

Dog stinkhorn Coulsdon, London, November 2014

In Devilsden Wood we tiptoe around fallen beech logs, slipping at times on beech leaves and clay, and the emptied mast. The nuts will have been eaten by hungry jays and squirrels. Over the past few weeks Iโ€™ve crouched down around these logs photographing their fungi: beech jellydisc with its almost caucasian flesh, purple jellydisc creeping out by the week from wisps of moss. Most startling for a layman like me was the glaring eye of dog stinkhorn, named after its canine stench. Lodged in a piece of black deadwood it had the appearance of a fox or wolf skull looking up at me. The long, finger-like stems that it had produced had collapsed, orange tips like finger nails. As Julian Hoffman has written recently, referring to the poet Rilke, we are surrounded by a world that beckons us to perceive it, to engage with it, to look and to touch. To me the fingers of the stinkhorn could be pointers to something worth seeing. Today only the jellydiscs remain, as well as a brown mushroom that reflects the white break of cloud between the trees above in its glossy cap. My friend Philip is searching for something behind me and as I look up the sharp dark shape of a sparrowhawk slices between us in silence. If we were little woodland birds we would not have seen a thing.

ยฉย Daniel James Greenwood 2014

A thousand years

Parrot waxcap

Farthing Downs, London, November 2014

Blue smoke plumes from the dreary Downs, the crack of piled ash trees cuts through the distant wash of the M25, and now the noise of chainsaws. This work is good fun. How many people panic at the sound of this machine, waking to find that their favourite tree is gone from the frame of their bedroom window. In the town I am always suspicious when their itch carries. But this is the restoration of the chalky meadows swallowed by the incoming of woods. We as a species have been trying to halt the loss of woods but at the same time deny new ones for thousands of years. This is a thousand-year-old view, the only change the exchange of machines for the pop of axes on heartwood.

Against a view of near leafless beech, a green woodpecker rises from the anthills, its flight reminiscent of a puppet tugged at intervals as it passes. Robins sing, gulls create the aura of the Sussex coast, and rain specks add a pinch of cool. In the now flattened meadows fungi can be found: a parrot waxcap plucked and left, yellow gills that ripple like flames around its stem. Puffballs are scattered across the path, little footballs deflated and unwanted. I press my toe into one, flattened and leathery grey, its brown spores puffing out like effluent. I definitely take them with me.

ยฉย Daniel James Greenwood 2014