See you in 2022

Dear readers,

A short post to say thank you for your support in 2021, my blog’s biggest year. Traffic is great but I value most the comments, questions and messages from those of you who spend the time reading what I put up here. It means a great deal.

Unfortunately I have a very sad announcement to make. My wonderful father Michael John Greenwood passed away at the end of November after a short illness. He was 71. My family are heartbroken by the speed with which he was taken from us and the vacuum his loss leaves in our lives. I will post about dad next year when I have the strength to and when this very sharp period of mourning has hopefully moved to another stage.

My dad read this blog most weeks and, along with my mum, is the reason I got into doing this in the first place. My parents encouraged me to read from a young age, and more fiercely and expansively in my young adult life. They bought me my first plastic film camera when I was a child and gave me my first digital SLR on my 23rd birthday. I owe them everything. I know what a privilege it is and I will be forever grateful for that.

In navigating this difficult period, I won’t have the time or the mental space to post here but I will be back next year.

So it’s a Merry Christmas and Happy New Year from me, despite the state of things. I hope you can have a lovely time with your family and friends over the next few weeks. Look out for each other and please support those who may need your kindness and company at this time.

All the best, Daniel

Autumn 2021 blog update

I thought it would be worth sharing an update on where things are with this blog. Last year was a hugely productive one for my blog due to spending so much time at home because of Covid-19 restrictions. At times I was posting three times a week with stuff I would see as good quality.

Now that things have changed I’ve lost that writing time. Things have gone back to where they were probably in 2019. That said, my blog has continued to grow in reach in 2021, especially it seems when people are interested in fungi in the autumn months. October’s views on here have been possibly the busiest month ever for visitors.

In January of this year I began recordings for my Unlocking Landscapes podcast. It was very easy to do because people had time to spend on Zoom due to the stay-at-home orders. Now that there is less of that, I don’t have the time to do them monthly, which has proven a big challenge. That said, I do have two more episodes to publish, hopefully this year, and some episodes agreed with some really cool people, including an author, shepherdess, eco-therapist and a nature writer.

I do hope to add more quality episodes over the years and it may just end up being seasonal, with the episodes maybe a bit longer. I don’t get any income for the podcast and the people appearing on it are doing so out of generosity and a desire to share ideas. Thank you to everyone who has been involved, I’ve loved it so far. The upcoming episodes are part two of the Hungary-Romania trip with Eddie Chapman, and a spring birdsong walk in the Sussex Weald that I recorded in May.

In book news, I have been providing content for other people’s books! Chris Schuler’s The Wood That Built London has just been published with some of my photos in the glossy inner-pages (see image above). It’s an absolute joy to be tied to this incredible book, which has levels of detail about south London’s ancient woodlands which have never before been amalgamated and shared. You can see more here. I’ve also (probably) had some photos published in Tiffany Francis-Baker’s book about Dark Night Skies.

In spring London Wildlife Trust will be publishing a book about nature in London which includes a chapter I wrote about woodlands, with more photographs included. This is another big personal thing for me and I am so honoured to have been asked to support the project. I will post more about it when the book arrives.

In my own personal self-publishing world I have plans to release a third poetry booklet in early 2022 called Fool’s Wood. I have also been trying to write a book for the past 10 years about my experiences of volunteering and what I learned about nature and our relationships to it. That is proving very difficult to get anywhere with, but I hope to make some progress over the winter months. I am not producing any of these with an aim of being published in the mainstream, more for my personal sanity, and as ebooks. If anyone has advice about producing and publishing ebooks, please help me!

The Town Clerk’s Office, Midhurst (c1500s)

As photography projects go I’ve been gathering images of timber-framed cottages and other buildings for an Instagram account @SussexTimbers. I’m still looking for the best format to share these images and to talk about their historical significance, which Instagram is not quite. I will probably build a section on this website next year to showcase them. Might even make some postcards!

What I’ve been reading: this year has been dominated by Vasily Grossman’s Stalingrad and Life and Fate. I have studied Russian cinema and am something of a Russophile, but there is only so much you can take of 20th century Russian history. Tread carefully. I’ve recently finished Wanderland by Jini Reddy, I Belong Here by Anita Sethi, some of the novels by Sarah Moss (Ghost Wall and Cold Earth), and at the moment I’m enjoying Finding the Mother Tree by Suzanne Simard. Reddy and Sethi’s books are a must read for people who are advocates (or not) of countryside access. Especially those who adamantly and aggressively announce that ‘the countryside is for everyone’ as a reposte to the lived-experience of Black people and people of colour. It’s not, and racism prohibits people from feeling welcome in certain places. Finding the Mother Tree is essential reading for those who want to understand more about how trees are interconnected and the role fungi play in healthy, happy woodlands. I still haven’t read the Merlin Sheldrake book.

What I’m listening to: the new album by The War on Drugs is one I have been waiting a long time for. Change is my favourite song so far (that piano…):

The podcasts I regularly listen to are Welcome to Mushroom Hour and the Guardian Football Weekly.

I want to give a shout out to my dad who regularly reads this blog and has, alongside my mum, been a massive support to me for many years (obviously). Dad has been under the weather recently and unable to get out as much as he would like to, so hopefully dad what you can continue to see here is a bit of a sense of the outdoors. We’ll get you back out there again soon.

Thanks to everyone who reads this blog, sending in comments on here as well as on Twitter. I love to receive your comments, which are almost 100% positive, though I don’t block criticism (as long as it’s not inappropriate).

Wishing you a pleasant winter ahead with friends, family, wildlife and pets.

Daniel

At Fountains Abbey, wildflowers prevail with time

Fountains Abbey, North Yorkshire, July 2021

The ruins of Fountains Abbey sit on lawns that look as good as modern football pitches. It’s boiling hot and most people hide in the shade. This doesn’t feel like northern England.

The story of Fountain’s Abbey begins on the 27th December 1132 but abbeys have been in existence in northern England since the 600s. The abbey was founded under the Cistercian Order and monks had to serve as ‘a choir monk in prayer or as a laybrother in manual work’ (National Trust (NT), 2011).

The abbey and its residents lived through tough times: financial problems, livestock disease, climate change, raiding Scots and the onset of the plague. The plague hit around 1349-50 and killed a third of the abbey’s residents (NT, 2011).

On this hot day the ruins emit a welcome cool, tunnelling a gentle breeze that slips through the valley of the the River Skell. Skell is a non-English placename:

The name is from the Old Norse skjallr, meaning “resounding”, from its swift and noisy course. In the Middle Ages the river was known as “Heaven Water”, presumably from its association with Fountains Abbey.

Smith, A.H. (1962). The Place-names of the West Riding of Yorkshire. 7. Cambridge University Press. pp. 137–138.

Yorkshire can sometimes feel like another country to southerners, so strong are its cultural links to Scandinavia. It’s the same for the rest of England, with the Viking territory of ‘The Danelaw’ once reaching down to the River Lea, just north of London, and covering large swathes of England.

The ruins alongside the River Skell

Monasteries in England were dissolved after Henry VIII’s falling out with the Pope over his divorce from Catherine of Aragon. The abbey was surrendered in November 1539. After the monks moved on, the land and its materials were sold off. The stained glass windows and other valuable elements were crudely removed by the new owners. The abbey was ruined in a way to make it unfit for religious practices.

Some 450 years later, in 1983, the estate was purchased by the National Trust.

Inside the walls of the abbey, wildflowers burst from pockets of stonework: wild marjoram, black knapweed, St. John’s wort, field scabious and harebell. These flowers have taken root in substrates within the crevices of the masonry. They have prime positions to receive full sun, and are sheltered from some of the elements. It’s a great place to live.

Marjoram in its happy place

I wonder why these plants are here, perhaps their medicinal value. No doubt they were cultivated and used by the monks who spent their lives here. I like to think the prevalence of marjoram (known in a culinary sense as oregano), St. John’s wort and scabious are due to their prior importance in the day-to-day lives of the monks.

My uncle recently sent me a copy of The Treadwell’s Book of Plant Magic by Christina Oakley Harrington. It has a lot to say about these plants.

Small tortoiseshell butterfly nectaring on marjoram

I know that marjoram is a delicious herb. I grow it in a pot in my garden for pollinators and it’s something I nibble on when visiting the chalk grasslands of southern England, where it lives. According to Treadwell’s, it has high magical value, something which I can’t be sure was of interest to the monks at Fountain’s Abbey, who were obviously not pagan in the way previously settling Vikings were. It is thought that pagan beliefs of pre-Christian England did persist in people’s outlook. The connections people have with nature would have been safe spaces for those beliefs to persist.

Scabious gets its common name from the fact it was once used to treat skin ailments. The flowerheads eventually become scratchy after flowering and were once used on the skin.

St. John’s wort among marjoram and harebells

St. John’s wort is a famous medicinal herb, another species which can be found in chalk grasslands in southern England, and in other areas throughout Britain. There are a number of different species. According to Treadwell’s it’s one of the most important and protective plants in magic folklore.

In its medical use, Wikipedia says:

“The red, oily extract of Hypericum perforatum has been used in the treatment of wounds, including by the Knights Hospitaller, the Order of St John, after battles in the Crusades, which is most likely where the name derived.[19][21]

It is also used to treat depression.

Ragwort grows high from masonry

Ragwort does not have many supporters in England, which is a shame because it could be key to providing a fundamental nectar source for pollinators across the UK. This is particularly true of towns and cities away from grazing animals. It’s disliked because it has toxic properties which can go undetected in cut hay and then be consumed unknowingly by livestock, accumulating to cause organ failure. Its proponents (for ecological reasons) have created a website in its defence.

According to Treadwell’s, in Ireland it’s known as ‘fairies’ horse’. This is because:

it is believed that witches and fairies ride on it as if it were a horse, flying through the air at night

The Treadwell’s Book of Plant Magic, Christina Oakley Harrington (p.106)

The seeds definitely fly through the air because the plant grows in some of the highest parts of the masonry. Swifts screech in flight as they shoot past those higher outcrops, perhaps feeding on some of the many insects that nectar on the plant’s flowers.

One thing I learned here, and that I’ll never forget, is that urine was once used by the monks at the abbey. It was collected and used as a dye, for leather tanning and also for wool treatments. A urine pot was found near perfectly preserved.

I think I’ll stick to the herbs.

Thanks for reading.

The Sussex Weald: Happy 800th autumn to you, old oak

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Cowdray Park, Sussex Weald, September 2019

It’s a grey and dark September evening. Robins sing solitary from trees in their autumnal fashion. Cars wash nearby on the A272, to and from the village of Easebourne. The bracken rests in stages of green, yellow and brown. In Cowdray Park a sign warns of the bull in the field, but there are no cattle. The only beasts are the trees sat across the undulating hillside of parkland. Here lives the 1000 year old Queen Elizabeth oak and the Cowdray Colossus, the biggest sweet chestnut in England.

I pass creeping thistle still in flower and others with their leaves thinning to a translucent yellowy green. Walking under one of the ancient oaks, it looks like a rabbit’s head, its heartwood torn out and lying on the ground. An alcove has become of its bark, like a doorway to another place. It’s a fair metaphor, the word oak derives from an old name for door.

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The second oldest oak sits on the hill, its heartwood also lost, mainly trampled out by cattle and people. But now it has a fence around it. In front of the fence stands a roe deer. It watches me in complete stillness. I approach one slow step at a time, taking a photo each time I get closer. Soon it turns on its heels and disappears off behind the tree, springing into the air. I see it rising up and down beyond the fence like a merry-go-round.

I approach the oak and see it is producing acorns. How many millions of acorns has this sessile oak tree produced in its 800 or so years of life. How many autumns has it lived through? Perhaps as many as 800. Our lives seem so small and precious, fragile in comparison to this natural treasure.

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Explore my Wealden archive

The Sussex Weald: under the trees mushrooms glow

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St. Leonard’s Forest, Sussex Weald, June 2019

Gentle rain falls as dog walkers share tales in the car park. Squirrels saved from their pet’s jaws giving thanks with a bite of their own. Birdsong swells from the understorey, perhaps five song thrush sing to sure up territories. Either side of the track is a wall of green, from the shrubs to the canopy of oak, birch and beech.

There is a feeling of a deeply wooded landscape here, the continuity of the Weald stretching away east to Kent. Of course it has now been broken, so many times, but there is a sense of the wilderness that faced the Romans and later the Saxons upon their respective invasions of Britain. It is thought St. Leonard’s Forest was part of a wooded landscape that stretched all the way to the New Forest, as recently as a thousand years ago.

The rain has drawn me out here. It is such a relief that this June is one of mini-monsoons, compared to last year’s heatwave hell. The nearby South Downs were rendered brown for months. At the side of the path, under the darkness of a beech, mushrooms glow. They sprout peach-coloured, or maybe apricots on sticks, from a tree stump. They are sulphur tuft, one of the most common species but very photogenic.

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Further into the forest chiffchaff sing from the pines, a distant willow warbler’s melody decaying in the darkening evening air. There is a scale to this landscape that feels expansive. Woods challenge our human senses of depth and time. Moving along the footpaths the woodland shifts from clay where beech and oak prevail, to the pine and birch dominated sands where heathland once was kept open by local people expressing their rights of common.

Down a track through birch and holly a single flute-like note comes from the trees above my head: a bullfinch. It calls over and again. It’s a beautiful sound.

Returning round through dark areas of oaks and veteran beeches, I find a small toadstool uprooted at the edge of the footpath. It’s an amanita of some kind, a ring around its neck like Shakespeare or a ruff, patches of white webbing still on its grey-brown cap. Amanitas are a fearful family of mushrooms, being home to the deathcap and destroying angel, to name but the most potent. But I’m not here to eat these marvels of nature, so I take my photos, capturing memories to take back to the town, to ease the sense of dislocation from this ancient wooded landscape, its bullfinches and mushrooms.

Explore the Sussex Weald

The South Downs: a cuckoo’s see-saw song along the Arun

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Amberley, the South Downs, May 2019

I’m followed by a flock of dancing flies along the River Arun. I put out my hand to let them alight. Their bodies dance urgent as mayflies, their wings flutter soft as moths. They travel with me along the bend in the river.

Reed warblers are settling into spring song patches on the riverbanks. A reed bunting with his black warpaint holds a perch in green willow, delivering a simple, fractured tune.

Across the river a mighty willow sprawls dominant, dipping its branches into the flowing water.

An octopus returning to sea.

These great veterans stalk the Arun valley at Amberley, oaks replacing them where hedgerows arise.

A low note breaks the din of the A29 traffic and trains rattling through the chalk quarry at Amberley.

Koo…koo…koo…koo!

It’s a cuckoo.

The fields beyond the river lack trees, smudged by rushes creeping into pastures where cattle loaf. Crossing a shock of metal that bridges the banks, I can’t see it.

Out here the cuckoo can target the nests of reed warblers, but that’s the female’s job. This cuckoo has a song to sing first.

Passing away from the river on a track, towards the chalk ridge of Bury Hill, telephone wires cross the landscape. Not far beyond them, where the track is white underfoot, the cuckoo sings again.

Turning back to look towards the Arun, the bird balances on a telephone wire.

Cuc-koo, cuc-koo, cuc-koo!

His tail fans as he rocks on the wire, the full thrust of his calling causing a see-sawing that could send him tumbling.

I wonder how many female cuckoos are out there in the Arun valley, listening. Are they perched in riverside willows or the ancient, dying ash woods in the steep escarpment of the chalk hills.

One of them, somewhere, has heard him.

Explore my South Downs archive

London’s woodpeckers: the rattling call of the great spotted wood-striker

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This is an expanded version of an article that was first published in London Wildlife Trust’s Wild London magazine

It’s a sound that stops many in their tracks, the rattling in the canopy of woods, parks and gardens. It’s a sound that brings in the new year, signs of spring breaking through as our own seasonal celebrations draw to an end. While we are still deep in recognising our need to rest in the midwinter, our wildlife is busy setting out its quest for new life. Britain has three species of woodpecker and in January we begin to hear the hammering, or drumming, of the great spotted, the sound of male birds marking new territories. It’s a bird that is becoming more and more familiar to us in London as its numbers increase.

Its favoured habitat is oak woodland with plenty of rotting branches, trunks and limbs in which to create a new hole each year, ample habitat for the biggest of our two Dendrocopos woodpeckers, the great spotted. Dendrocopos translates from Greek as ‘wood-striker’.

One thing I have noticed in suburban locations is the woodpecker drumming on TV aerials and receivers. One great spot I’ve seen has found the plastic box now employed to improve TV signals makes decent percussion. It’s a wonder that this hammering on hard surfaces doesn’t cause the birds injury, but evolution has equipped them with shock absorbers in the back of their skulls that cushion the blow. It’s not the same as banging your head against the wall.

There are four members of the woodpecker family deemed native to Britain, with one now classified as extinct as a breeding bird. That is the wryneck (Jynx torquilla), a bird that migrates from Africa each spring in small numbers still. In 1904 a wryneck nested on south-east London, what was thought by the observer to be one of the last nests in his time, in south-east London historically.

Another of our four species has declined at a rate that has baffled ornithologists. The lesser spotted woodpecker (Dendrocopos minor) was noted in south London’s woods up until 2008. The odd autumnal record does crop up as the lesser spots are migratory, with one seen in 2015 in Brockwell Park in Lambeth.

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Lesser spotted woodpecker

One possible theory for the decline of lesser spotted woodpeckers (above) relates to the rise of the great spot and the disappearance of starlings from London’s woods as a breeding bird. When starling numbers were higher in woods they provided more competition for great spots.

This gave more space for the lesser spots, being much smaller, about the size of a sparrow or starling. As starlings and their ruckus have left the woods, the great spots have increased in number as they have experienced less competition and adapted to the boom in garden bird food. Lesser spots require a smaller hole in a tree to nest and if a great spot chooses the nest they can make the hole bigger and the lesser spots are pushed out.

Lesser spotted woodpeckers, however, are not extinct like the wryneck as a breeding bird and they still have strongholds in the UK. The most important place for them is the New Forest, one of the mythical heartlands of ancient English woods. There the management of the woods has remained the same for centuries, pointing to another reason for the species’ decline elsewhere. British wildlife is under increasing pressure from development and the loss of available food due to wider intensified management of the countryside.

So the two factors which are most harming lesser spots, and starlings, too, are a lack of habitat and food. The loss of food is a loss of invertebrate life being driven by agricultural intensification and a tidying up of green spaces, loss of gardens and general overuse of harmful, residual pesticides. Another key change is the loss of old orchards, another traditional habitat disappearing in Britain, one of the lesser spot’s favoured habitats.

The other member of the British quintet, if including wryneck, is the green woodpecker (Picus viridis). Green woodpeckers are different to the spotted woodpeckers because they don’t hammer to mark their territories but instead call, what was known for centuries as ‘yaffling’. An old name for a green woodpecker is ‘yaffler’. It’s a call that can be heard most clearly in woods and parks with mature trees, where green woodpeckers also nest.

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Oak woodland is a key habitat for woodpeckers

The call has a prehistoric feel about it, echoing deep into woodland, as the reverberation recedes. Greens differ again from the spotted woodpeckers because of their feeding habits, spending their time searching for ant colonies in woods and lawns. Naturally grassy sports pitches with a surrounding area of mature trees are a good place to find the birds. They lie low, shooting their long tongues down into nests to find food. It’s something you are very unlikely ever to see a great spotted woodpecker do.

For those curious and unsatisfied by the array of woodpeckers in London, remember that you will have to travel to continental Europe to find a greater diversity. Arriving in France you could meet with the biggest of all the European woodpeckers, the black woodpecker and heading as far as the great ancient woods of the Czech Republic, Poland or Romania, you can find as many as seven species. In British terms, the health of London’s woodpeckers reflect the state of the nation’s.

Land of the lousewort: healing a broken landscape in the White Carpathians

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In September 2017 I visited the White Carpathians on the Czech side of the Czech-Slovak border. The White Carpathians hold wood pasture meadows with the highest plant diversity on Earth per square metre. This is a landscape heavily impacted by people but may be fairly close to the pre-human ‘wildernesses’ of Europe. Here conservation efforts have yielded great success in preserving part of a once international wildlife corridor.

The White Carpathians, Czechia (a.k.a Czech Rep.), September 2017

The sun beats down on the village of Vápenky and in the trees high winds blow off from over the White Carpathians. The sky is a deep, summer blue but in the orchards the colours of autumn are appearing. The meadows are dry and grain-coloured, red apples and green pears drop into the cropped grass.

We follow the forestry road through tall beech woods that stand like the framework of a cathedral incomplete. The wind lashes them but some stillness rests in the opening low between the silver-grey trunks. The limestone quarry track bends up and over into a clearing where the forestry machines have deeply rutted the road. They have also cleared the trees but for one long, thin beech that stands alone, its bark bleached by the sun.

The landscape of a recently deforested area is shocking, wreckage. But this industry is one of the most important in the whole of Czechia. Many lives are sustained by it. Still, I wish we could find a way for horses to still remain an integral part – something I’ve seen in Romania – and that its culture was not so macho, chauvinist and driven by putting profit above good ecological stewardship.

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The clearing of trees has opened up views of the valley, showing forested mountains and peach rooftops. For a country that is nowhere near as pious as neighbours Poland and Germany, each village or town has it church, climbing above all else.

We are looking for a nature reserve called Porážky but our map failed to show the road we were taking some time ago. We speak to a Czech woman heading down a track with freshly picked parasol mushrooms in her hand. She points us back up the trackway, fingernails cut and painted indigo, her hair dyed reddish-brown.

The end of forestry land is always marked by a boost in tree diversity. Here hornbeam, a tree of no forestry value, grows. So too hazel, oak and small-leaved lime – the Czech national tree. These are all species of the pre-industrial forestry age, wildwood species of great use to human hand and hearth, but not the modern machine.

Light breaks through the edging of broadleaved wood to reveal grasslands and the sky atop the hill. Again the wind gusts. Reaching its top we enter Porážky, the protected area of wood pasture we had hoped to find. The landscape is cropped grass and single oaks. You would have not the slightest idea that these are the richest meadows on earth.

They are a man-made and exploited habitat, but they are the truest symbol of harmony between people and nature. In fact, they may even be closer to what the pre-human woodland landscape of Europe was like, due to the cropping of large, roaming groups of wild grazing animals we have now made extinct. ‘Rewilding’ in its purest or most puritanical form wants that world back.

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The White Carpathians are the lowest lying, most westerly extent of the Carpathians massif, stretching east to Romania where they reach their zenith. It is a landscape that holds great mystery, wildness and fascinating human cultures. What a life it could be to travel back and forth across the range, witnessing its wildlife and spending time with the people making a living from its soils, woods and meadows.

Eddie, my hiking companion, and I, have been to their furthest point, and there, too, are found meadows of great diversity. In Romania ancient traditions are dying out as people move to cities – what contrarily is thought to be the driving force behind the return of wolf, bear and other megafauna – the rewilder’s dream. In the White Carpathians conservation initiatives have led to the protection of the meadows and their continued management.

Two days ago we visited the headquarters of the Bílé Karpaty protected landscape area or CHKO in Veselí nad Moravou where we learned that one of the great successes for the organisation has been the return of orchards to the landscape. Vast tracts of this landscape have been returned from arable farming to species-rich grassland, righting wrongs of the post-war Soviet era. Fruit trees have returned because they offer something in return to local people – fruit.

Here in Moravia the Czechs have achieved great things. Grasslands are the most threatened habitat in the world, due to intensive agriculture, afforestation and development, and they have succeeded in both conserving what remains and bringing it back in other areas.

I have recently taken an interest in the Twitter account of Tibor Hartel, an ecologist in Romania whose work includes the mapping of ancient wood pasture. Unlike Czechia, Romanian wood pasture is poorly protected and local groups and individuals must act independently to save these amazing places often, it would seem, without government help. Imagine that this landscape once ran across the Carpathians, from Moravia, through the Ukraine, to Transylvania in the eastern corner of Europe. Even Prince Charles has taken an interest.

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Walking through Porážky it has the feel of an English parkland, the single oaks dotted amongst the green. I first visited here in 2014, hiking over the meadows with Libor Ambrozek, the former Czech Environment Minister and then head of the White Carpathians protected landscape area, or CHKO. I was blown away, the sheer abundance of orchids and the fact of its singular richness. In May 2014 a storm blew in and we were drenched in the open pasture. Today the wind overwhelms and the sun bears down, the glare intense.

Jays pass almost every few seconds, back and forth to stash acorns. They are in the process of ‘scatter-hoarding’the act of burying acorns in places that may well one day grow into the new oak trees of this landscape. These are birds in an autumn-pique. Beyond them buzzards soar but the wind deters the smaller species. In the grasslands clouded yellow butterflies feed on knapweeds and dandelions, red admirals bolt from the dark plantations. We find a single aspen, its trunk crooked, whipped north by decades of strong winds. Half its canopy shows red in its leaves.

To many this kind of landscape is at odds with the contemporary ethic of rewilding, or ‘allowing land to return to its natural state’. If that were to happen here many species would become extinct. One plant clinging on, Pedicularis exaltata, a species of lousewort, is only found in this area away from other localities in Belarus, Ukraine and Romania. Its presence suggests a once-continuous wood pasture landscape across the Carpathians between the Czech-Slovak border and eastern Romania. It can’t be seen today as it flowers in spring and summer. Instead the ground is dotted with meadow saffron, a pink crocus.

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The wood pasture as it looks today was created and ‘refined’ thousands of years ago by people clearing woodland – likely of oak, ash, hornbeam and hazel – to allow their domesticated cattle and goats and Mesopotamian sheep to graze. At least that is the common understanding, for could the presence of large, roaming groups of wild horses, bison, elk and other herbivores have meant a landscape more open than the idea of coast-to-coast closed canopy woodland? Compared with today’s measure, the deforestation work of our species was sustainable deforestation due to the population sparsity, moving a possibly more dense wildwood to something more open in places.

The current management and conservation of wood pasture relates to the belief that habitats which are species-rich are the ones which are most important and valuable. But they need to be maintained. If their management involves local people, provides sustenance and perhaps employment, it will work, especially in a place like Czechia. This may lack the perceived poetry of rewilding, but its practicality brings results: the continued existence of the world’s most important wildflower meadows and all the other chains of life which depend on them.

With thanks to my travel companion Eddie Chapman, friend and guardian Zuzana Veverkova, Ivana Jongepierova and everyone at the CHKO office.

 

New writing map





I’ve created a map of my blog posts, stretching from the west of Ireland to the edge of Europe in Romania. Websites are tricky to navigate when they have as much content spread around as I do here so I thought this might help. I am also keen to promote Europe-wide conservation measures from this tiny corner of the internet so this encapsulates that nicely.

The North Downs diary feeds out of south Croydon through a link to all the posts rather than individual posts all the way across the Downs, something I may come to change. I’ve done the same for the New Forest. If you have any thoughts on this, please let me know. I will edit it over time as new pieces are added.

Thanks for reading!

Daniel

In London’s woods, the seeds of civilisation

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This is an expanded version of an article published in the winter 2017-18 edition of London Wildlife Trust‘s Wild London magazine

As autumn draws to a close, the bare branches of trees stark against wintry skies, we find ourselves on the tail-end of a mast year for London’s acorns. Mast is another name for nuts or seeds, with beech nuts often referred to as ‘beech-mast’. It means a time when the weather and temperatures in spring and summer have created the right conditions for a bumper crop.

Oaks are wind-pollinated, one of nature’s first reproductive mechanisms for plants that evolved very early on land with the arrival of spore-bearing mosses hundreds of millions of years ago. Trees like cherry and others in the rose family, are pollinated by bees, butterflies, moths and flies.

Though cherries are far tastier than acorns, the oak’s fruit is one of the most important to us for several reasons. When acorns fall many of them will simply fail in the leaf litter or decay away to feed the soil. Birds like jays will stash acorns and plant thousands of them to keep them alive over the winter. Grey squirrels do exactly the same.

If you think about it, and scientists have been, this is one of the most important vehicles for woodland creation on Earth. It’s also one of the reasons that oak woods were able to recolonise the Northern Hemisphere after the end of the last glacial period some 12-14,000 years ago.

If any of those jays died or forgot some of their acorns, they sprouted into trees and woods, many of which would eventually form great woody landscapes adapted and exploited to what we now know as the Great North Wood, Epping Forest, the Weald and the New Forest.

10 acorns on one bunch
Oak mast

In North America there were entire cultures of Native Americans who built their lifestyles on a diet of acorns. Beneath their shells acorns are nuts that can be ground down for flour, coffee or even jelly.

In Britain the hazelnut is one of the single most important food sources for our species, especially before the advent of farming when hunter gatherers relied on foraging to survive. Archaeologists have found regular evidence of hazel nut shells at prehistoric settlement sites, sometimes in vast numbers. There is also evidence that our ancestors cooked hazel into a paste that could be taken on long journeys.

But perhaps the most fascinating cultural impact of the acorn is when it is missing, and in its place a parasite. In the spring tiny parasitic wasps appear from galls, a growth (sometimes referred to as a tumour) that has prospered in the place of an acorn, and lay their own eggs in an acorn bud. A chemical reaction takes place in the tissue of the plant and a gall is formed.

There are many species of gall, and many of them are not instigated by solitary wasps, but one of the most significant for human civilisation is that of the oak apple gall.

The oak apple gall was imported to Britain over a 1000 years ago for its prime use in the creation of ink. The galls can be ground down and mixed with chemicals to make a black ink. It was this ink that was used to write almost all of the major doctrines and political agreements in the western world.

The Magna Carta and the American Declaration of Independence are but two of them and, indeed, that sylvan scripture known as the Forest Charter of 1217 will also have been transcribed in oak ink. Amazingly, it was only in the 1970s that the German government stopped using oak gall ink for use in all official documentation.

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Knopper galls in summer

London’s other notable seeds are those of horse chestnut, beech and sweet chestnut. Horse chestnuts, named after the horseshoe-shape at the base of the leaf stem or petiole when plucked from a branch, are not related to sweet chestnuts. Neither of these trees are deemed native to the United Kingdom, and sweet chestnut sits in with the oaks in the beech family.

If you roasted chestnuts on an open fire at Christmas it will be those of the sweet, not the horse chestnut. Sweet chestnuts are the fruit found inside painfully spikey shells, very similar to the horse chestnut.

For the more childish among us, the horse chestnut is really known as the conker tree. The sight of a glossy brown conker in roadside leaf piles in autumn is a thing of wonder. The maple family’s seeds may not be palatable, but the game of ‘helicopters’ was one of great pleasure for school children before the arrival of smartphones.

Though we often focus on the edibility of plants and their fruit and seeds, the crops of trees like rowan, oak and beech have an impact on the activity and behaviour of birds in autumn. In October there can be seen large movements of jays, with birds acting quickly to secure seeds and plant them in a suitable location.

A jay massaging its way high across an open field, heading to and from an oak or beech wood, is a common sight in the early autumn. Redwing, a winter arrival in the UK, rely on rowan’s bright red fruit. Changes in the Scandinavian crop can trigger the movements of this species south as winter draws in.

Where old, fruit-packed hedgerows still exist in the UK, heavy with rosehips, haws and holly berries, redwings can be found feasting. From places as far apart as rural moorland and urban London, their distinctive but subtle tseep calls can be heard overhead at night.

Those nocturnal calls can be a pleasant reminder of the changing season, of the fundamental need for fruit and seed for the wild and civilised alike.