My 2024 in photography

Another year completed and lessons learned. Creatively I have found a balance with my equipment and the actual process of photography. I’m into my 6th year of working with Micro Four Thirds cameras and lenses, giving more space to enjoy the process of gathering photos – walking – because the equipment is light.

Cameras used include Olympus EM-5 Mark III, Oly EM-1 Mark III, Olympus TG-6 Tough compact camera, and Pixel 7a phone camera.

These photos should show the range of things I like to take pics of – not just mushrooms! 😂

With the privileges available to me – health, location, resources, freedom of expression – here are my photographic highlights of 2024:

January

I did a couple of long walks in Sussex at the beginning of the year, exploring some new locations around the South Downs. I visited St. Botolphs church for the first time, one of Sussex’s special ones among thousands of already significant churches. Last year I set up a gallery for my fledging church photographs project which can be viewed here.

February

This felt like the moment of the light returning after the dark winter months. The Downs at Amberley are my gateway to the South Downs, and walking here is always worth the gentle climb.

March

In March I visited Dublin for a weekend and took in the sights along the great river Liffey.

For a friend’s birthday we spent the weekend in York, which gave me a chance to take some compact camera pics of a few of the oak timber framed buildings. I’ve added a gallery for my ‘Oak Timbers’ project here.

April

I got married in April so there wasn’t time for much beyond the odd local walk. I was trying out my new Pixel 7a, bought because of its value and reported image quality. The camera is spectacular, I just wish it wasn’t a G**gle product. I blogged about it here.

May

Ah, memories. In May we went on our honeymoon to Austria and Switzerland, all by train. You may be sick of reading about that! I am definitely not sick of blogging about it though!

This was one of those one-off photos experiences. Thankfully the weather held and we saw the mountains in much of their glory.

June

A bit of a lost month for photography because I started (yet another) new job and had to settle into a new routine. The highlight was probably these sawfly larvae which ate through some of the leaves on my gooseberry. Blog here.

July

“July, July, it never seemed so strange”, as the Decemberists sang. I caught Covid and didn’t really get back to normal for 3 months afterwards (Vitamin D is very important, people). My macro work was reduced by the evil contagion but I did find some nice bugs near home to share.

August

I managed to pap some pretty fine inverts in August, with this beautiful ichneumon wasp seen in my garden. I’ve not got anywhere near enough out of my Olympus EM-1 Mark iii and 60mm macro, but this showed just how good Micro Four Thirds cameras are for macro.

Another strongpoint for M43 cameras is that they can ‘stack’ images internally, something now copied by the big hitters. This is a composite of about 10 photos the camera has laced together to ensure the depth of field covers a deeper focus range. It means more of the, rather gruesome, subject can be seen in detail.

September

In September I made my first ever visit to the iconic sea stacks at Downpatrick Head on the North Mayo Coast in Ireland. Mayo has an international dark skies designation so I was able to mess around with the Milky Way. But for the astro photo I haven’t processed these images yet so here are a couple of phone photos.

October

As I have lamented on my Fungi Friday blog, 2024 was not the best mushroom season. But there are always things to find out there. I found this knocked over fly agaric, which was in perfect condition, ready for its portrait.

November

Autumn is a time for Dartmoor for me and my wife, and despite colds we managed some walks onto the moors in the National Park. We found an amazing array of waxcaps, like the crimsons above, which you can see in full on Fungi Friday.

On the last day of November I hiked with my South Downs amigo from Ditchling into the mist. This is the much-photographed Ditchling dew pond, shrouded in mist.

December

The weather in December was very grey and damp, and all the Christmas demands gave me only one meaningful walk – to Pulborough Brooks in West Sussex.

Thanks for all your support in 2024 and wishing you peace and happiness in 2025.

Camera juggling in the mud 🤳

I recently upgraded my phone from a Fairphone 3+ to a G**gle Pixel 7a. The Fairphone dream is dead for me. I bought the Fairphone 3+ looking for a sustainable option that would last a long time and be invested in. Instead two new models were soon released and the 3+ was effectively archived.

The Fairphone 4 and 5 are just too big and expensive, but the company have pushed sustainability and human rights up the agenda. Surely people shouldn’t be getting a new phone every year. I would argue it’s irresponsible due to the sensitive materials required and the shady employment practices across the production line.

I don’t think I would be interested in smartphones if they didn’t have cameras. Phones are thought to have killed off much of the entry-level camera market, especially when they are so good now and storage and sharing has become digital.

Back in 2002 I took Media Studies A-Level and we were taught about ‘convergence’, the coming together of all manner of tech into single devices. Photography has been a key part of that process. Radios, TVs, typewriters, even people’s jobs have disappeared into phones. This has been predicted for a long time.

So can anyone who considers themselves a photographer (always sounds very serious and self-important, doesn’t it) ignore phone photography? I don’t think so. Especially because Instagram has become the prime mechanism for professional photographers to promote their work.

Also, I’m writing this blog post on my phone!

Anyway, here are some of the first images I captured on the evil Pixel 7a. The camera is exceptional.

One thing that recent camera phones are doing so well is controlling glare. The sky here would be ‘blown out’ or over-exposed in normal images taken on a camera. AI is working here, I expect, to effectively take two images – one exposing for the foreground, a second for the sky. It can look quite over-edited, but for random snaps it’s really helpful.

Another interesting change with newer phone cameras is the inclusion of a wide angle lens. This lens type is probably one of the most controversial in the world of photography, because they’re rarely needed, heavy, expensive and often have extreme barrel distortion on either side of the image. Ever been at the far end of a photo taken with a wide angle lens? You probably looked quite warped!

One thing that impresses with the Pixel 7a is the autofocus. These blackthorn flowers were blowing in the wind and yet the detail is so good.

Lichens are a great thing to photograph because they stand still and can be very attractive subjects. I was considering stretching my budget for a Pixel 8 Pro because it had a macro function. Reviews of the 7a said that it can focus closely, and that is true, to a degree. Also it sounded like the AI in that phone maybe does too much.

One potential block on macro potential is that the phone seems to do auto noise reduction. That can make these weirdly impressionist details were the AI is trying to hide graininess from a high ISO. I’ve noticed it a couple of times and it’s not ideal. The detail and focus is otherwise really good. This is not what the tech people call ‘flagship’ or top of the range.

All in all, I am amazed by what this camera can do. It is so much better than the Fairphone 3+, which shows how quickly cameras are developing in phones.

Would this phone make me sell my standalone camera? No way. Lenses and sensors of mirrorless, standalone cameras can’t be matched by phones currently. It just provides a great option for capturing nice images on the go. It’s going to be especially good for fungi.

Thanks for reading.

Oh, Fairphone.