A slender pathway cuts through the ground layer of ivy, more likely to have been forged by a train of foxes. A large ash has been pulled down by the wind, the underside of the ivy leaves are a fresh colour, like the flesh of a lime. To the side a den has been made, with string tied to the rotting logs which rest against a tree in a tepee form. It can be the case that the people spend a night in the wood to qualify for a homeless shelter and so the sign of a tent or den surrounded by food packaging and drinks bottles is not unusual. There isn’t much litter to be found, other than things the ivy has subsumed, bottles or cans missed previously and taken in by the soil, or blown over from the road. Spiders make a home for themselves in empty bottles and the woodlouse is a common inhabitant of an old shoe.
We toe the path which leads around the ridge. It’s just ivy, above and below, masking the trees and the woodland floor. On the ground the leaves of premature bluebells peek through the earth and we take care not to trample. The coming of spring is a time of year to be cherished, the very thought leavens the darkness of long winter nights.
The ivy ends and a clearing opens up around a large yew tree, the soil cleared of life by the acidity and shading of the tree’s needles. The trunk is rippled and worn like an old doll’s limb, its circumference suggests it could be a few hundred years old. A line of tall yews appear as we move on, what must have been a hedge in a garden, turning into a right-angle. The ground dips to reveal the whitish bricks of a wall and a trail of broken glass. Behind us is a tall group of silver birch trees, quarantined amidst layers of ivy and the yew. These birch look like they’re waiting for something.
The other side of the wall shows a support structure for the terrace of an old Victorian villa, where people would have taken tea and listened for the hammering of woodpeckers in January, the repertoire of the song thrush in spring, and the call of the woodlark. A century ago they would have sat listening to the voices leading Britain to war. Now we look out from over the wall at wildness regenerated. Trees collapsed and left to rot down as fodder for bugs and beetles. The slow life of the woodland has been allowed to resume. A blackbird calls in the canopy and a great tit sings its winter song down in the woodland glade. The sun is setting low through the slope of trees. It’s time to go home.