St. Leonard’s Forest, West Sussex, July 2020
Evening. The sun kindles embers in dangling birch leaves. The songs of birds have gone, spring is a memory. I think of autumn: the cool that grows where the sun can no longer reach. My footsteps crunch and snap in the dry, leaf-littered banks beside the gill. This stream was dammed centuries ago for the Wealden iron industry. But it still runs, just not now. The hammer pond it’s been forced to feed is now the realm of private fishing.
The beeches twist and turn on the slopes, in this light you might have thought they’re creeping up behind your back. It is so quiet that any sound feels like a warning. I hear the first faint murmur of a tawny owl.
The bracken is high and it’s hard to see around the bend of this winding desire line. On the hill the sun lends the ranks of pines some splendour. But it’s the heather battling down in the bracken that holds most promise. Men have stolen the sun from this heath with forestry, but the pines have been forgotten. Nature lies in wait, its disruptive forces breaking rank in a way so slow it’s not known until it’s done. This place will not be the same in decades to come.
Blackbirds and thrushes shuffle song-less in the shrub layer. The dryness amplifies the sound of their size to large mammal. That old fear ticks and tocks in me. A barometer I forgot I had.
Out on the woodland ride the ditches promise an explosion of new flowers: fleabane, ragwort, valerian, hogweed, and hemp agrimony where small cream moths nectar. One is held aloft, frozen in mid-air. Peering round, I see the camouflage of a crab spider hidden among the florets.
Daniel Greenwood 