Dublin Bay: a photographic deep-dive

Dublin, Ireland, September 2024

What began as me non-chalantly taking some photos from the deck of the ferry leaving Dublin Port emerged as a deep-dive (not literally) into the ecology and history of Dublin Bay. It has taken me weeks to complete this, I hope you enjoy it as much as I have learning about Dublin Bay.

Through the process of writing this post, I have also somehow ended up watching livestreams of ferries leaving the port! Also, I’ve taken the plunge (lol) and borrowed my late father’s copy of James Joyce’s Ulysses because some of it is set in Dublin Bay (thanks Mum). This blog can’t wait for me to read those 900+ pages, however, but I’ve included a few snapshots of the Bay from the first chapter.

This ferry journey is deeply ingrained in my childhood memories, from summers spent visiting my grandparents in Dublin and then usually down south to Cork. I have one memory of leaving on a summer evening in the 1990s, with the golden evening sunlight draped across Howth to the north as we began our journey to Holyhead. How many other people must have similar memories.

From the deck of the boat you have great views of gulls flying by. Gulls don’t just follow trawlers, they also swoop alongside ferries. The vantage point of the ferry deck is a great spot for gull photography, which is something that most people don’t really spend time doing. Those people are missing out.

Identifying gulls is not easy, especially with the pre-adult phase plumages. This looks like it could be a herring gull due to the black tips to the wings, but it may also be a juvenile like the one in the previous image.

This is another juvenile gull. Dublin Port must be a fun place for a gull to grow up.

Bibliothèque nationale de France, Public domain, via Wikimedia Commons

It would have been more fun before the port developed, when it was more of a natural estuary with mudflats and saltmarsh that have over the centuries been lost to a booming shipping industry. That era is captured in this 17th-18th century map.

The gulls really are rather mesmerising among the ferry churn as it departs.

Who knew rooks were seabirds, too (they’re not). They’re very intelligent though, my aunt Sally is a particular fan of these communal roosters.

Though industry has gulped down much of the natural landscape of Dublin Bay, there’s ongoing conservation work with Birdwatch Ireland supporting Dublin Port to understand the birds of the Bay.

One of the views before embarkation, which I will come back to when the ferry pulls up alongside this view. The Georgian-looking house on the right is Pigeon House, named after the couple who once managed it.

This scene reminds me of The Wire series two, though I’m not suggesting the same is going on down there.

As the ferry exits the dock the Liffey comes into view among a cluster of ships, cranes and containers.

This seascape is a mystery to me. Something that helped me to understand the complexity of the area was this perfectly-timed episode from the Irish History Podcast: Dublin Port has seen it all: 1200 years of history

The famous Harp bridge becomes visible as the Liffey opens up. Imagine the Vikings travelling up here long ago as they first set foot in Ireland. They founded the Kingdom of Dublin.

I cropped this photo to show the ‘Ceasefire Now’ banner that covers the tower block alongside the river (mid-right). It of course refers to the Israeli military’s military campaign in Gaza, which has killed 70,000 Palestinians as of 2026.

This was the view of the banner six months earlier when I passed on a tourist boat trip along the Liffey.

I think this ship goes to either Rotterdam or Antwerp. Rotterdam is one of the most important ports in Europe, especially for British and Irish shipping (more about that in the Irish History Podcast episode about the port).

My London-Irish uncle Jimmy (and reader of this blog, I think) shared a memory about these cranes:

‘One Halloween we were arriving at the port on a Stena boat and the crane was very busy at the dock picking up containers, but the crane driver had time, as we passed, to switch on his microphone and do a very creepy Vincent Price type of accent, and announced: “welcome to Dublin”. It was very funny’.

These iconic towers are known as the Poolbeg Stacks. You can see Pigeon House on the right.

Pigeon House was a hotel and today is available for use from the Dublin Film Office. It dates to the late 18th century:

The hotel did not last long for after the 1798 Rebellion, the area was transformed into a military fort, the Pigeon House Fort. The hotel building was converted into the officers’ accommodation within the fort, which then grew over the next hundred years to include an armory, a hospital, and trenches crossed by drawbridges.

https://en.wikipedia.org/wiki/Poolbeg_Generating_Station

The brick building alongside Pigeon House is the Pigeon House generating station. Dublin City Council are proposing a regeneration project.

Cormorants are not hard to find, and so here are the Liverbirds perched on iron rails.

It was the world’s longest sea wall at the time of its construction in the 18th century and remains one of the longest in Europe.

https://en.wikipedia.org/wiki/Great_South_Wall

The Great South Wall’s construction began in 1717 to make the mouth of the Liffey suitable for shipping. Dublin Bay is sandy and the Liffey had problems with silting up, which didn’t allow for larger ships to move close enough inland to easily remove cargo and people.

The visibility wasn’t good on the day, but the Great Sugarloaf mountain was visible over in Wicklow. I asked a friend from Bray, south of Dublin, if he had any info to share about the mountains there. His reply:

‘We used to climb it every New Year holidays when we were young. It has a sister mountain called the Little Sugarloaf. But I’ve never been up that one, cause Dad accidentally took us up the bigger one when we were little and never bothered to go up the smaller one’.

There’s quite a lot happening here. From the left three people huddle behind the wall, someone in swimming trunks on the other side, and someone crouching down to their dog.

The Great Sugar Loaf as depicted (with other mountains) in an early 18th century engraving by Giles King via Wikimedia

I found this 18th century picture of the Wicklow mountains and Dublin Bay, and possibly even the site of Dublin Harbour (as stated in the caption of the painting) before its modernisation.

Inside the South Wall still I got this somewhat blurry shot of two Atlantic grey seals. They are supposed to be coping well despite the major upgrades to the port. Seals appear in Ulysses:

A voice, sweettoned and sustained, called to him from the sea. Turning the curve he waved his hand. It called again. A sleek brown head, a seal’s, far out on the water, round.

James Joyce, Ulysses, p. 29 (1960)

At the end of the Great South Wall the Poolbeg Lighthouse is impossible to miss, which I suppose is the point! A lighthouse was first here in 1767 and the current lighthouse was built in 1820.

Ciao for now, Poolbeg Lighthouse.

Passing out of Dublin Harbour and entering Dublin Bay proper, little auks were floating on the surface of the sea. Is there any more difficult form of birding than sea-watching?

Beyond the Polsteam ship is Dalkey Island to the south-east of the port. You may not be surprised to read that Polsteam is a Polish shipping company.

The little building on the island is the Martello Tower, a building apparently constructed by the British to repel French invasion during the French Revolutionary Wars of the late 18th to early 19th centuries. Dalkey Island appears to be littered with archaeological and historical artefacts. In the distance is Bray Head, which Joyce describes in the early pages of Ulysses:

They halted, looking towards the blunt cape of Bray Head that lay on the water like the snout of a sleeping whale.

James Joyce, Ulysses, p.14 (1960)

The Martello Tower in my photos is not the same as the one featured in Ulysses. I thought I recognised the shape, actually, and it was because of this Penguin Modern Classics front cover being lodged in my mind as a book I needed to read! This is now known as James Joyce Tower and is found in Sandycove on the coastal mainland of Dublin.

I switched to look north toward Howth on the other side of the deck. The ‘spit’ of Howth’s Great Baily was framed so nicely by the arch of the ferry, with Baily Lighthouse at the tip.

A more advanced view. A lighthouse has been on the site since 1667.

I visited Howth during my stag weekend in earlier in 2024 and did the cliff walk with friends and family. How sophisticated.

Ireland’s Eye is an uninhabited island that hoves into view beyond Howth as the ferry journey progresses. It’s part of the Dublin Bay Special Protection Area (one of the highest EU designations for nature) and is important for its breeding seabird populations and plants.

You can read the management plan if you’re into ecology PDFs.

Ireland’s Eye visible from the coast of Howth in better weather in March 2024, when I didn’t know what it was.

And that’s where this story ends (we made it to Holyhead, don’t worry). Keep an eye out for more Irish coastal blogs in the coming months, but those will be on the Atlantic coast of Ireland.

Here’s a short video of the ferry leaving Dublin Bay in better weather.

Thanks for reading, happy sailing!

More blogs about Ireland:

Dublin: ‘I float down the Liffey’ 🇮🇪

The River Liffey, Dublin, March 2024

2025 will be a year of catching up on last year’s photos. 2024 was a really busy year of travel and life events after the fallow pandemic years (2020-22).

I was in Dublin in March 2023 for – you guessed it – my stag weekend. It was more a spiritual visit, made by ferry, rather than an idiots’ weekend away. This post wouldn’t have been possible without my best man Liam’s work in booking the boat tour, the only one on the river.

For the visit I took my Olympus TG-6 Tough compact camera, but didn’t take photos as raw files so these are edited jpegs, which is obviously a crime against photography. The images from the water are taken through glass, so they have degraded even more (you probably won’t notice). The light was nice though, and image quality isn’t everything.

The title of this blog is a pointer to a lyric in the Radiohead song How to disappear completely.

Passing the Liffey is carved into my memories of Dublin having travelled so many times on the ferry, across and along the river in the car after disembarking. It’s also where my parents bought me my first Everton shirt in 1995.

We were staying on the north side of the Liffey, the older part of Dublin.

Who doesn’t like some unofficial street sculpture – if it’s fly-tipping that’s obviously different. Now for a handbrake turn:

The Famine Sculptures are one of the most striking installations along the Liffey. They act to remind us of the millions of people forced to emigrate or leave their homes during the Great Famine (1845-49). It is a shocking event in British and Irish history and too few people in Britain are educated about it.

I don’t mean that from a place of “victimhood”, as one true British patriot put it to me once. It’s just that I’ve come to appreciate that the understanding of Irish history is very poor in Britain. Irish history is British history, too. There is so much more we could have learned in school about the role of the British Empire and how it explains the country we find ourselves in today.

On a lighter note, this Saturday Night Live sketch with Paul Mescal poking fun at those of us with ‘Irish ancestry’ is very funny:

From a personal perspective the famine drove my Mayo ancestors to attempt new lives in North America. The statues here are in place alongside where one of the “famine ships”, the “Jeanie Johnston” departed for New York:

The original Jeanie Johnston carried 2,500 Irish emigrants across 16 journeys to North America during the Famine.

You can see the Jeanie Johnston moored in the left-hand side of the image below right.

This is the Harp or Samuel Beckett Bridge, looking out towards the Irish Sea. The harp is a significant symbol in Irish national identity. During a walking tour we learned that the Irish government had to get permission from Guinness to use the harp as its national emblem, and with restrictions on how it could be employed.

Custom House dominates part of the north bank of the Liffey. It was burnt down in 1921 as the Irish Republican Army attempted to destroy tax records in a raid.

This building once managed the movement of goods up the Liffey into Ireland.

And here it is from street level. The tent on the left is where a person was rough sleeping. We were told that the river was once significantly wider than it is now.

Two swans in the river on the other side – taken a good half an hour later, don’t worry.

At first this tower looked disused but I’m not sure if it is. The banner’s related to the Israel-Hamas war in Gaza (at least 2023-present day). Ireland is outspoken on the need for a ceasefire, a two-state solution and for an end to the Israeli military’s occupation of Gaza and the West Bank. The banner seems to have the name of SIPTU – a trade union – branded on it. For the those who aren’t aware, the Palestinian cause is one of the most significant humanitarian and political issues for ‘the left’ in Britain and Ireland, probably more so than Russia’s invasion of Ukraine.

This barrel of a building is the Convention Centre, opened to the public in 2010.

This is the Dockland Campus of the Central Bank of Ireland. The design on the side is supposed to give the impression of leaves rustling (or something) but it didn’t see that when we passed it.

Here are some chilled out Saturday drinkers on the south side of the river.

I’ve got a post to come with images from the ferry leaving Dublin in August 2024, featuring seals, gulls and some interesting old buildings.

Thanks for reading.