The Sussex Weald: Happy 800th autumn to you, old oak

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Cowdray Park, Sussex Weald, September 2019

It’s a grey and dark September evening. Robins sing solitary from trees in their autumnal fashion. Cars wash nearby on the A272, to and from the village of Easebourne. The bracken rests in stages of green, yellow and brown. In Cowdray Park a sign warns of the bull in the field, but there are no cattle. The only beasts are the trees sat across the undulating hillside of parkland. Here lives the 1000 year old Queen Elizabeth oak and the Cowdray Colossus, the biggest sweet chestnut in England.

I pass creeping thistle still in flower and others with their leaves thinning to a translucent yellowy green. Walking under one of the ancient oaks, it looks like a rabbit’s head, its heartwood torn out and lying on the ground. An alcove has become of its bark, like a doorway to another place. It’s a fair metaphor, the word oak derives from an old name for door.

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The second oldest oak sits on the hill, its heartwood also lost, mainly trampled out by cattle and people. But now it has a fence around it. In front of the fence stands a roe deer. It watches me in complete stillness. I approach one slow step at a time, taking a photo each time I get closer. Soon it turns on its heels and disappears off behind the tree, springing into the air. I see it rising up and down beyond the fence like a merry-go-round.

I approach the oak and see it is producing acorns. How many millions of acorns has this sessile oak tree produced in its 800 or so years of life. How many autumns has it lived through? Perhaps as many as 800. Our lives seem so small and precious, fragile in comparison to this natural treasure.

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The Sussex Weald: ancient oaks under the stars

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Cowdray Park, West Sussex, South Downs National Park, February 2019

Leaving work at five o’clock in the dark is never nice but it depends how you look at it. Inspired by the Dark Night Skies initiative, I made a stop off on my way home to see some stars. I have been photographing trees in the dark since about 2008, mainly of trees under street lamps in south London. It was something to do in those long, drawn out winter evenings. Since then I have started photographing trees in the daylight, too. Having had the chance to volunteer and work in woodland conservation has taught me a lot about trees and their ecology. Having moved away from practical woodland conservation in the day-to-day sense, though still leading the odd tree walk, I am reveling in photographing some of the trees that are found throughout Sussex. One of the trees I have had the pleasure of spending some time with is the Queen Elizabeth I sessile oak in the South Downs National Park. This tree is completely hollow and has perhaps been around for 1000 years.

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Photographing the same tree again and again isn’t always interesting for you or other people. A recent interest in the night sky (the fact I can now see it, being away from a city, rather than knowing anything beyond the moon and the plough) gave me the idea to use the early nightfall to try and photograph this amazingly old tree under the stars.

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The photos were taken with a wide angle lens and a tripod. I used my mobile phone torch to light the tree. The bright light above is the moon, something that plays havoc with night photography due to the fact it outshines many of the stars.

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The problem with my phone torch is that it goes off after a while so I had to trot back and forth to keep the light on. In this light the tree looks fleshy and bulbous, quite animal-like I think.

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When the mobile phone torch light did go out, this is how it looked. I like how the branches reach out to the stars and the astronomically-illiterate thought that they might get snagged in them.

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There are many ancient trees at Cowdray Park in West Sussex near Midhurst. It is almost a point of pilgrimage for people who love old trees and feel some kind of emotional connection to the eldest we have left. This oak has lost almost all of its heartwood and has sinewy remnants decaying inside the bark. I love the purple hue in this photo and the way the distortion of the 10mm wide angle lens warps the trees in the background. I love the rawness of the tree in itself and the stars touching the outstretched twigs.