Daniel Greenwood

The language of leaves

Posts tagged ‘Ebernoe Common’

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In memory of Joseph Reilly

Ebernoe, West Sussex, November 2019

At Ebernoe I enter the yard of a church with neon algae glowing on the brickwork. In among the graves meadow waxcap mushrooms grow, one with its cap curled up and over like a pale petalled poppy. ‘The church is open but the handle is stiff’ reads a sign on the door. I turn it and enter inside. That cold stone church air hits my skin, no one else is here. At least no one human.

There is a bird in here. It flies across the aisle and lands on a hanging lampshade, rocking with the force delivered by its flight. Then it moves to one of the windows clinging to the iron frame that separates panes of glass. It’s a blue tit. I wonder how long it’s been in here, perhaps overnight. I think for a few seconds of what to do and walk to the church door. I pull it wide open, moving away to give the bird space. Within seconds the little blue tit flies through the open church door and back out into the woods where it belongs.

I sit on the bench and experience silence but for the dripping of water on the roof. There is a peace in here that I only ever seem to find in places like this. In the stained glass windows images of Jesus Christ, stories depicted that I don’t remember from childhood. The glass’s vibrancy is at odds with the dark and glowering morning that has crept in over one of sun-drenched hedgerows and beech trees lit like fires. I write a word of thanks in the visitor book and make my way back out into the churchyard.

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Ebernoe - 11-10-2019 djg-3

Ebernoe Common, Sussex Weald, October 2019

Last week I spent a drizzly and dark afternoon at Ebernoe Common, a National Nature Reserve managed by Sussex Wildlife Trust. It was raining not only water but mushrooms. The first signs of the good times came in the shape of a magpie inkcap. This is something I’ve only seen three times, twice at Ebernoe and once on the North Downs.

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The word magpie relates to the English phrased ‘pied’ which means black and white. This species goes into the delicious state of deliquesce (an inky kind of melting), just like its relative the shaggy inkcap. Unlike the shaggy inkcap, though, it’s toxic so don’t eat it. The thing I like about this image is the glow of green in the background gradually turning to yellow as autumn progresses. Beech usually provides this kind of backdrop.

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Porcelain fungus is a reliable species. It fruits in the same place, often en masse, each year. It is a beautiful species but the beauty, like so many things, lies underneath.

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The gloopy glimmer of the cap is photogenic but the gills of porcelain fungus are stunning.

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I use a small LED light to illuminate mushrooms in this way. I can’t tell you how much more character this can offer to photos. Actually I can: a lot more.

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Here you can see my roving light (yes, I meant this!) mixing it with some delicious bokeh in the background. Leaves and branches create lovely bokeh because of the break of light in the gaps.

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Here is one of ‘the finished images’. I like that the light circles can imitate the caps of mushrooms in photos and offer a deeper layer of resonance and reflection. Who knew.

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In photography, macro is where the fun happens. There are so many amazing things happening at our feet that our eyes are incapable of seeing without the help of magnification. If you want to have a go at macro, don’t hesitate. Just do it. I call this one ‘Climb every mountain’. The piece of deadwood does have the appearance of a peak in this light. The mushroom is like a protagonist, playing on a theme of mushrooms as individuals or sentient beings throughout human history:

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This seems to be particularly prevalent in German culture and Christmas or New Year celebrations. Christmas has evolved from Pagan traditions (Paganism was once considered any religion which was non-Christian) and the place nature has in the human imagination is pretty clear here.

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Back to life, back to reality. Honey fungus is enjoying its first boom phase and seems to be having a good year.

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There is a dead veteran beech tree at Ebernoe Common which is basically where all the mushrooms live. This wide angle image shows just how many larger species were making a home within the tree. Here you can see giant polypore (bottom left), honey fungus in the middle and Ganoderma brackets everywhere. This is a stunning tree and of the highest ecological importance because of all the species, not just fungi, it supports. All of these species are contributing to the tree’s decay and recycling into organic matter (soil).

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Not far away was a patch of hen-of-the-woods, an aggressive root-rotter (harsh). It’s said to smell like mice (more harsh).

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You can imagine how I thought someone was playing a trick when I passed this. A swing made from a beech log that was covered in porcelain fungus. It was embarrassingly hard to photograph well. Thankfully only the mushrooms were looking and they haven’t evolved to use Twitter yet.

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On my way out I spotted this slurp of fungus low on a log by the path.

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Looking closely with the macro lens it has the appearance of something you might find in a coral reef. Then that’s the beauty of woodland, it has a depth to it that you have to dive in to experience for yourself.

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Ebernoe Common, Sussex Weald, August 2019

Looking out of the window at work one morning, a colleague agreed with me:

If there are no mushrooms after this rain, then something is very wrong with the world.

Fast forward a few hours and there is something ok about the world.

Stepping out onto the track and into the woods there was a clear indicator of a mushroom party with lots of Boletus-like species typical of the season. This time, I was invited. All too often looking for mushrooms can be like arriving at a party the morning after when everyone is discarded like shells around the living room and slime coats the walls.

There was still slime on the walls on this pleasant summer’s evening at Sussex Wildlife Trust’s magnificent Ebernoe Common. It’s part of the Low Weald, an area or ancient woodland that is very much intact and once connected Canterbury with the New Forest. The slime here was the real deal, with beautiful splodges of slime mould spreading across fallen oak trunks.

Further inspection with my trusty macro lens showed the intricate beauty of this slime mould. Trouble is I don’t have the field guide yet so I’m stuck for an identification. But really does it matter? I’m not a scientist in the traditional sense and it’s their beauty I cherish most. Scientists, while we’re here, don’t even know where to put slime mould in their taxonomic kingdoms. That sounds like one hell of a euphemism.

This walk was a blitz of about 3 miles with eyes scanning the woodland floor alongside the path. By pure fluke I found this small mushroom, not dissimilar to something like a funeral bell, popping out of the soil. It is surrounded by the most beautiful palmate leaves of star mosses. The wonders of macro photography allow this world to be glimpsed and indeed shared. Macro photography is an art (not necessarily in this case) as fine as landscape photography.

I also had my larger DSLR slung round my neck with a wide angle lens. The golden hour is not quite so golden in an August wood, but it’s still worth appreciating. Notice the growth of lichens and algae on the north-facing side of this beech here for 10 points.

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One of the recent additions to my mushroom portraiture war-chest is an LED light. It’s a pretty fun way to add a new layer of interest to photos, especially of mushrooms. I also have a mini tripod for it so it is a bit like a pet android that wanders the woodland floor for me illuminating fungi. This shroom was growing down between two big boughs of a fallen beech tree. It was land of the mosquito and I made substantial donations to their bloodthirsty cause. This does look rather angelic if I may say so.

A trio of bonnets were evidence of the recent rain. Up they spring before collapsing not long after.

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Have you ever noticed just how long bluebell seed casings linger after spring? It’s a good way to identify an ancient woodland out of season. This flower was present on the edge of the woodland where a field opens out. The sun poured in and lit the tulip-like papers of the bluebell.

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My dad said he read my last post and had to look up what ‘bokeh’ is. It’s the circles or light in this image above that are caused by isolated areas of light. They are most pronounced when you have a wide aperture, so f1.4 on my brightest lens but usually f5.6 on most SLR lenses. It creates a beautiful blurred effect. Of course, I couldn’t resist it here. Looking at this image being photographed in the moment, what you can’t see is the twinkling of the light as the leaves moved in the breeze and the sun slid down. It took the breath far more than the image ever will.

Thanks for reading.

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March is an odd month in British woods. There is the tantalising sense of spring arriving but winter’s dankness holds fast. Though we learn to see seasons a bit like buses coming and going, I see them as more incremental. There are pointers to change every single day. It’s something I picked up through wildlife surveys, seeing the return of migrant birds, the first bees and leafing oaks. In January it’s the barking fox as mating begins, in February (or sometimes earlier) bluebells and elders leafing, in March it feels like something has to give.

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I go to the woods to take photos now more than to simply look for wildlife or listen, so there has to be some reason for taking out a heavy bag full of equipment. When I know there is a good amount of time to take photos I bring two cameras, almost always a macro and a wide angle lens, with a standard 50mm lens stowed away. If I’m feeling super strong I bring a telephoto lens (not a massive one) in case of some lucky encounter with a raptor perhaps.

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On dull days the light feels glowering and like nothing is responding. I usually turn to trees at this time to slow my impatience. Here I went looking for mushrooms with the hope of some spring glut. It wasn’t there. Pathetically, the disappointment is real. The first queen bumblebees are symptomatic of the need to survive, winter is not over for them until they have found a spot to start their nest.

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There is a lot to be said for taking the time to look at details. Turkey tail is a fungus that lingers all year and can be found in hypnotic shades and patterns on pieces of dead wood. It’s renowned for its medicinal benefits but I’ve never tried it. I’ll stick to camomile and honey.

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In the UK (and perhaps the Northern Hemisphere?) a mushroom called glistening inkcap bursts from the moss and soil after a change in the weather. It usually makes an appearance when a spell of rain has finished and the temperature is a little higher than it has been.

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Moss is one of the few colours found in a winter wood and its ability to hold dampness can sometimes boost the growth of a mushroom, as seen in the inkcap photo. Up close these primitive plants are like miniature palm trees.

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In the South Downs National Park, 10.5% of the landscape is covered by ancient woodland according to the Woodland Trust. That figure astonishes me. Much of this woodland is in the Low Weald, a stretch of ancient oak woodland that pitter patters between the South and North Downs. from near the Sussex-Hampshire border all the Way to Kent. Ebernoe Common is a National Nature Reserve managed by Sussex Wildlife Trust, home to almost every species of British bat and an amazing array of other species.

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Ebernoe also hosts populations of wild daffodil, much smaller than the shop-bought beasts that burst from lawns and roadsides. This is a spring woodland flower that indicates ancientness. It is a privilege to see them in flower, especially considering that they have declined greatly in the past century. In the still wintry Weald, spring is trumpeting silent and yellow.

Ebernoe Common, West Sussex, March 2019

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SHW 23-25-1-18 djg-20

Unlike most annual reviews, this post shouldn’t include any reference to seismic political events which we are all likely sick and tired of. Instead, it’s a run through of some of the interesting mushrooms I’ve papped in the past 12 months. It also ends up being a seasonal review more than anything, because fungi is found mostly in the gentler bits of spring and the October-November phase before the cold weather snaps down. Expect references to camera equipment and a smattering of photography jargon that even I don’t understand.

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January, February and March 2018

There have been two things that have changed the nature of my fungi photos in the past year, one of them being the purchase of a compact camera. At the end of 2017 I bought a Canon Powershot G7X MII, a little camera that has allowed me to take photos of mushrooms in ways I couldn’t before.

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This is because of the camera’s small size and the screen that flips round so I don’t need to lie down on the ground. Most of the time it’s actually impossible because some of the smaller mushrooms (usually the most interesting and unique) are down in amongst other debris and you need a small camera in there.

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Another bonus is how light the thing is, though it has a bit of weight about it, it can be taken anywhere and charged off a USB. This means you can bring out a powerbank to charge it in the field or when trekking and you don’t need to spend £60 on batteries.

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Above are some of the early pics I managed to get with the Powershot in and around Sydenham Hill Wood in south-east London. I took the photos in raw format and refined them (just colours, exposure, sharpness and a bit of cropping in Adobe Lightroom) to bring them closer to natural life.

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Whatever you think of the photos, you’ve got to say they’re really sharp and as good as most Digital SLRs. I would say that if you don’t have a ‘decent’ camera and you want something light, portable and uncomplicated, it’s a great option.

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However, one problem is the camera is so light it fell out of my pocket and I didn’t have it insured! I hope the person who found it is very happy with it. Anyway, back to the mushrooms.

July

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Early summer months are a time of bracket fungi on trees and sudden eruptions of inkcaps after rain and milder temperatures. Hot dry weather is not good ‘shroom time.

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It is, however, a time to appreciate the rock solid brackets that climb up the trunks of veteran trees.

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This hollow beech tree at Slindon on the South Downs is a fine example of a veteran tree, characterful and fungus-clad. I have to admit to not having a passion for bracket fungi of this kind, but I do know that these species enter through a wound in the tree and establish their mycelium (network of fungal fibres) and produce a fruiting body, in this case the bracket you can see above, and pump their spores into the air.

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One of the true highlights for people who forage wild food is the summer glut of chicken of the woods. This fungus is hard to miss and simple to identify when in good condition. It is mostly found on oak, though I found my first specimens on yew in 2018. Chicken of the woods on yew should never be eaten because of the poisonous nature of the tree. I’ve never eaten this fungus but a friend said that she got too excited about finding it ate too much of it last summer. A case of being bloated rather than sick. May-June is the prime time for this beast.

August

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August can be a very wet month in the UK. In 2017 it was rainy and cool and in the mushroom world autumn happened in August, with a much weaker season over the typical October-November period. I visited Epping Forest in August 2018 to see if there was any repeat of 2017, but there was a very modest fungal showing. This was due to the extreme heat between June and July with very little rainfall in southern England. It’s an example of how climate change will effect our ecosystems and the species within them.

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This is not the moon landing, it’s a giant puffball! These monsters grow in grasslands and were once used as footballs. Though I don’t eat wild mushrooms I know it can be used to make puffball burgers. It’s one of those mushrooms that makes you think, what is the point of it? I suppose it has been kicked and thrown around for so many millions of years that its spores have spread widely and it’s become an evolutionary success.

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One fungus that does well in August and people struggle to cope with is oak bracket (though this specimen was on a veteran beech tree). This was an evening trip after passing it in the pouring rain on a group walk in late July. It’s one of the most photogenic shrooms and is full of macro possibilities! The above pic is taken with a wide angle lens.

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Using the macro here brings out the beads of water as the fungus exhudes the excess water from its pores. Can you see the figure reflected in the droplets? I’ll be back to visit the beech tree this fungus grows on next year.

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The closer the connection you develop with wildlife through observation, the more important the seasons become. Man-made climate change is messing with that but I still see the arrival of Russulas (brittlegills) as a key indicator of summer’s end and the first specks of autumn.

September

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Walking 5 miles on the South Downs Way in early September I was delighted to find a patch of boletes growing under an old yew tree on chalk. I had my now deceased compact camera to hand and snatched this photo. This elfish mushroom is probably Scarletina bolete. It has orangey-red gills and absolutely stinks. One upturned specimen was beginning to smell like a decaying animal.

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I managed to sneak in a visit to the New Forest in September, a place so good for fungi it’s illegal to forage it. I found this bracket mushroom growing on a pine tree on heathland. It looks like a certain political figure, but I mean that as no insult to this amazing natural phenomena (the fungus, not the human).

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August and September is a good time for the members of the Boletus family, home to the much sought after and munched Boletus edulis (otherwise known as cep, penny bun, porcini). The boletes are a diverse group. I think the mushroom above is a suede bolete. It looks like a biscuit sitting atop a rhubarb stalk.

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A strange find was this parasitic species called powdery piggyback fungus (brilliant name), growing on the gills of blackening brittlegill.

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I thought these were horn of plenty at first, but they also just look like straight-up dog poo.

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Cairngorms - September 2018 djg-2Towards the end of September I visited the Cairngorms and Perthshire in the Scottish Highlands. At Balmoral before a group hike I found what I think is Boletus edulis at the shore of Loch Muick. There are two sides to every shroom. The one with the sun, rain and loch behind is one of my fave pics of the year and was found, taken and left alone within the space of about 30 seconds. You can plan for all the amazing pics you want, but when it comes to mushroom portraiture (lol) you have to be ready at all times.

 

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In some Perthshire woodland outside Pitlochry my friend and I found some jelly babies, a first for me.

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Yellow staghorn was cropping up fairly commonly in September. This bunch was on a stump which gave the opportunity for my friend Eddie to help with the composition. Another favourite from 2018!

October

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One of my new playgrounds in 2018 was Ebernoe Common, a National Nature Reserve managed by Sussex Wildlife Trust. I had two full days over the autumn to explore Ebernoe (responsibly!) with my DSLR and macro lense. The mushroom above was found after about 5 minutes of searching one area that is quite open and heathy. The summer drought meant that mushrooms were not as abundant as perhaps they would have been after a wetter season and the ground here was very dry. This is taken with a macro lens and is lit with a small LED side light, alongside a lovely break of warm autumn sun.

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I find macro photography to be meditative. Looking at such a fine level of detail on what is usually a stationary object is very calming. One thing I have noticed is that when you look closely at a mushroom you often find other life. In the photo above I was trying to get a pic of what I think is bleeding bonnet and only when checking the photo on my camera spotted the springtail crossing its cap. Springtails are invertebrates that are found in soil and damp, shady parts of woodland. They are key to a woodland ecosystem as detritivores (they recycle stuff), and part of healthy woodland soil. By that I don’t mean soil good for ploughing or food growing but as part of the natural make-up of soil which includes fungi, bacteria and invertebrates.

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Before the clocks went back in October I managed to visit The Mens in West Sussex (another special ancient woodland managed by Sussex Wildlife Trust) while the evening light was still there. For most woodland photography it’s vital to have a camera or lens that can deal with low light. The ISO needs to be able to go beyond 1600 without being too grainy I think. Luckily I have a camera that can do that. I also like to take photos at an aperture like f11 which gives more detail and a better depth of field than something like f2.8. Though wider apertures like f2.8 can give lovely isolated mushroom images. That’s photo jargon I know but it makes a huge difference when in woods.

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One way to get around this is to use artificial lighting. Sometimes a phone torch is good enough. The translucence of many mushrooms means that lighting can create all kinds of possibilities. The bonnet mushrooms above where photographed in very low light with cloud cover above the woodland canopy. I used a little LED light to bring them out against the dark woodland background.

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The detail my camera’s sensor combined with the macro lens can produce is amazing here – to the left of the frame you can see spores being released from the gills of the mushroom. Amazing! On the right-hand side you can see them dropping out of the gills, eventually carried away on the air flow.

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I was really pleased with how this one came out, the moss ‘sporophytes’ add an extra element through their accidental lighting! You wonder where the idea for lampshades came from…

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An October visit to Dartmoor gave the opportunity to explore the oak woods that make the south-west famous among those who care about Celtic rainforest. Dartmoor is known for its moorland but it also has extensive areas of ancient woodland. Some of this woodland is so boulder-strewn that there isn’t actually much in the way of substrate for fungi to spring from in the way it does in the Sussex Weald, for example.

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No mushroom season is complete without a fly agaric. We found some real beauties under some birch trees in a small slither of more typical beech woodland.

November

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Porcelain fungus is one of the most photogenic species due to the translucence of the gills and the slimey cap that catches the light so sweetly. It also fruits at a time when leaves are still on the trees, helping to produce the bokeh (light circles that blur in the background) where the light does get through. The most beautiful mushroom images are often taken from below in my opinion.

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Compare the above photo taken on the same tree early in October, compared with the more wintry version above that.

The tree host here is a fallen beech that is my go-to for photos. You can see some of the diversity in this video:

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A species I was interested to find was split gill fungus. It has a quite hairy exterior and grows like a bracket or polypore on dead wood. This one wasn’t easy to photograph and I’m not over the moon about the pic, but the bokeh in the background is nice. It was on the tree in the video below, another fallen beech:

Another part of the Sussex Weald that I visited is St. Leonards Forest in the High Weald Area of Outstanding Natural Beauty. It’s a core part of the ancient wealden landscape in southern England. I walked about 8 miles in search of peak-season shrooms:

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These oysters had a look of the sun rising over a green hill, much like the emoji! I think they’re olive oysterlings.

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Yellow staghorn was going strong into the late-autumn. I used a side light to bring this one out in amongst the beech leaf litter.

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Fallen beech trees are becoming a theme here. This jelly fungus was common, as can be seen in the previous videos as well.

December

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December is a month of snow-white mushrooms for me. If it’s a cold month and there’s too much frost, the mushrooms will perish. December kept on message with recent years and was fairly mild all the way up until Christmas which meant some shrooms could fruit.

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Bramble stems often have oysterlings attached to them. At first they look like little white nothings but when you look at the gills, they’re beautiful.

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It’s also a good time to look for slime mould. Though not in the Kingdom of Fungi, slime mould is equal parts beautiful and disgusting. This is probably dog’s vomit fungus, Fuligo septica, famous for how it eats everything in its path:

I mentioned earlier those rogue springtails photobombing fungi pics.

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During the Christmas holidays expectations for shrooms are low but I go for walks regardless obviously. Above is a fungus that is a bit of worry for gardeners, it’s silver-leaf fungus, a species that usually suggests a tree is dead or dying. It was harmless on this already dead tree. A much bulkier springtail was taking interest in it, perhaps.

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My final fungal pic of 2018 was this lovely little bonnet, umbrella-like as it peeped out from the bark of a veteran oak tree.

Thanks for reading, wishing you many mushrooms in 2019!

p.s. insure your equipment!

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